Wasannin kwaikwayo na Koriya sun sami ci gaba mai ban mamaki a cikin shekaru da dama da suka gabata, inda suka zama babban abin da ke cikin al'adun duniya. Bayan nishaɗi kawai, wasannin kwaikwayo na K sun ba da gudummawa wajen nuna zamani da kuma tsara tattaunawar zamantakewa. Yanzu sun zama nau'in da aka san shi da darajar fasaha ta duniya.
Saboda haka, bisa ga shawarar ƙungiyar ƙwararru, waɗanda suka haɗa da masu sukar wasan kwaikwayo da jami'an watsa shirye-shirye, wannan mujallar ta zaɓi 'Manyan Ayyukan Fasaha 100 na Duk Lokaci' ta hanyar yin la'akari da tasirin jama'a, kamalar labarin, da tasirin al'adu.
Tun daga zamanin zinare na al'adun gargajiya a shekarun 1990 zuwa yanzu, wanda ya shafi zamanin OTT na duniya, muna zaɓar ayyukan da suka bar babban tabo a zukatan masu kallo kuma muna da niyyar sake duba darajar adabinsu da mahimmancin zamani.
Wuri na 100: Mu Ci Abinci (2013)
Haɗa rayuwar yau da kullun ta gidajen mutane ɗaya da mukbangs, wasan kwaikwayo ya buɗe sabon yanayi na wasan kwaikwayo mai mayar da hankali kan rayuwa. Bayan sauƙi na cin abinci, yana haskaka kaɗaici da haɗin kai na mutanen zamani cikin sauƙi. Babban hayaniyarsa ta share fagen shiga jerin shirye-shiryen da suka yi nasara, kuma aiki ne na farko da ya ɗaga yanayin gidan mutum ɗaya zuwa nishaɗin ban mamaki. Ta hanyar haɗa ƙananan ƙauna da abubuwan asiri cikin jituwa, ya faɗaɗa damar da za a iya samu na wasan kwaikwayo na warkarwa.
99. Babban Soyayya (2011)
Wannan wasan kwaikwayo mai ban dariya ya nuna soyayya tsakanin wani shahararren mutum da ba a so da kuma wani fitaccen tauraro. Tattaunawar marubutan mai ban dariya da kuma rawar da manyan jaruman suka taka sun haɗu, wanda ya haifar da wani yanayi na jin daɗi a duk faɗin ƙasar. Ya haifar da kalmomi marasa adadi kuma ana ɗaukarsa a matsayin na gargajiya, wanda ya kafa dabarar samun nasarar barkwancin soyayya na lokacin. Darakta, wanda ya nuna motsin zuciyar jaruman cikin hikima ta hanyar misalai, ya yi fice, kuma fim ɗin ya sami yabo sosai saboda haɓaka halayensa masu kyau.
Shekaru 98. Wannan Ita Ce Rayuwata Ta Farko (2017)
Wannan aikin fasaha ya yi matuƙar tasiri ga matasa, yana magance rashin tsaron gidajensu da kuma ra'ayoyinsu na gaskiya game da aure. Ta hanyar jigon auren kwangila, ya nuna rashin tsaron aiki da kuma sauye-sauyen dangantaka a cikin al'ummar zamani. Tattaunawa mai sauƙi amma ta falsafa ta yi tasiri sosai, kuma fim ɗin ya nuna ci gaban haruffan cikin gida ba tare da wani yanayi mai tayar da hankali ba. Wannan aikin da aka yi da kyau ya bayyana ikon rubutunsa na ba da ta'aziyya ga waɗanda ke fama da rayuwa.
Matsayi na 97: Sunana Kim Sam-soon (2005)
Tushe: 'Sabon Aikin Gargajiya' na Wave ya gabatar da babban aikin farko, wato fosta ta sigar daraktan.
Wannan aikin da ya shahara ya haifar da wani abin mamaki a cikin al'ummar Koriya ta hanyar gabatar da halayyar mace mai aiki da gaskiya. Jarumin, wanda ke nuna alfaharin mace mai ƙwarewa da kuma hanyar da ta dace ta soyayya, ya sami goyon bayan jama'a sosai. Ya kai sama da kashi 50% a cikin ƙimar masu kallo, ya canza yanayin wakilcin mata a cikin wasan kwaikwayo kuma ya gabatar da suka mai daɗi game da kyan gani. Har yanzu ana girmama ƙwarewar rubutun sosai, kuma galibi ana kiransa da Littafi Mai Tsarki na barkwanci na soyayya.
Matsayi na 96: Titin Yuna (2014)
Wannan wasan kwaikwayo na aji mai kyau na ma'aikata, wanda aka tsara a cikin gida mai tsararraki da yawa, yana ba da zurfin fahimta game da rayuwar marasa galihu da kuma ɗan adam da ke ciki. Rubutun, wanda ke nuna wahalhalun waɗanda ke zaune a gefen hanya da kuma haɗin kai mai daɗi da ke tsiro a cikinsu, ya sami yabo daga masu suka. Fim ɗin, ba tare da zane mai ban sha'awa ba, ya ɗauki ainihin rayuwa da ɗan adam, yana barin babban ra'ayi. Maimakon labari mai tayar da hankali, fim ɗin ya tayar da tambayoyi masu mahimmanci game da mutuncin ɗan adam, yana barin babban ra'ayi ga masu kallo.
Matsayi na 95: Yariman Rooftop (2012)
Wannan labarin soyayya ta tatsuniya ya haɗu da labarin tafiya ta lokaci wanda ya ɗauki tsawon shekaru 300 tare da wani sirri da ke bincika sirrin rayuwar da ta gabata. Ya kama da kyau yadda yarima mai jiran gado da abokansa suka saba da zamanin zamani, yayin da yake nuna alaƙa mai ban sha'awa wadda ta wuce lokaci da sarari. Juyawar labarin da ke maimaitawa da kuma maimaitawa sun ƙara jan hankalin nau'ikansa, kuma kashi na ƙarshe ya bar wani babban ra'ayi. Ya yi nasarar haɗa abubuwan tatsuniya da soyayya ta shahara, yana ƙirƙirar tsarin labari na musamman.
Matsayi na 94: Gano Soyayya (2014)
Wannan wasan kwaikwayo na soyayya na tunani yana nuna rudanin motsin rai tsakanin masoyan da suka gabata da na yanzu tare da wani abu mai ban mamaki. Yana kama rikice-rikice da jiye-jiye da ke tasowa lokacin da masoyan da suka gabata suka sake haɗuwa, yana bayyana gaskiyar soyayya ba tare da wani gyara ba. Tsarin hirar musamman da tattaunawa mai alaƙa sun sami magoya baya sosai a tsakanin matasa masu kallo. Ikon rubutun na ƙarfafa tunani kan yanayi da ci gaban dangantaka ya fito fili, kuma ya kasance misali na littafin soyayya ta gaske.
93. Tara: Tafiye-tafiye Tara na Lokaci (2013)
Wannan babban aikin fasaha, wanda ke nuna wata dabara da aka ƙera da kyau bisa ƙamshi tara da ke ba da damar tafiya ta lokaci, ya nuna alaƙar da ke tsakanin abin da ya faru a baya da ke wargaza halin yanzu, yana ɗaga nau'in zuwa wani sabon mataki. Juyawar da ba a iya faɗi ba da kuma daraktocin da ke cike da shakku sun sami goyon baya mai yawa daga masu sha'awar nau'in. Wannan babban aikin fasaha, wanda ya ɗaga wasan kwaikwayo na nau'in Koriya zuwa matakin duniya, yana gabatar da fassarar da ta dace da batunsa.
Matsayi na 92: Babban Mafarki (2011)
An kafa wannan wasan kwaikwayo na makaranta a wata makarantar fasaha, yana nuna ƙalubalen da ba za a iya misaltawa ba da kuma ci gaban matasa masu burin zama taurari. Taurarin wasan kwaikwayo na baya-bayan nan, sun gabatar da wasan kwaikwayo mai ban sha'awa da kuma wasan kwaikwayo mai cike da kiɗa. Wasan kwaikwayon ya nuna yawo da sha'awar matasa tare da kyakkyawan hangen nesa, yana samun karbuwa sosai a duk faɗin Asiya kuma yana ba da gudummawa ga Koriya. Ta hanyar haɓaka haɗin gwiwa tsakanin K-pop da wasan kwaikwayo, wasan kwaikwayon ya nuna gasa a duniya, yana ɗaukar kuzarin matasa yadda ya kamata.
Matsayi na 91: Wata Miss Oh (2016)
Wannan kyakkyawan wasan barkwanci na soyayya ya haɗu da rashin fahimta mai ban mamaki tsakanin mutane biyu masu suna iri ɗaya da kuma yanayin tatsuniya wanda ke hango makomar. Bayyanar motsin zuciyar jarumin cikin gaskiya da rashin jinkiri ya kawo farin ciki da ta'aziyya mai zurfi ga mutane da yawa. Abubuwan gani masu ban mamaki da dabarun jagoranci na musamman waɗanda ke nuna ilimin halayyar haruffa sun yi fice, kuma fim ɗin ya nuna azaba da warkarwa ta soyayya. Wakili mai wakiltar fim ɗin ya kawo zamanin zinare na wasan kwaikwayo na talabijin, ya yi tasiri sosai ga jama'a.
Wuri na 90: Scandal Sungkyunkwan (2010)
Wannan wasan kwaikwayo na tarihi da aka haɗa a cikin Sungkyunkwan na Daular Joseon, ya biyo bayan tafiyar jarumar ta hanyar gidan marayu da kuma ci gaban matasan malaman Confucius. Ya rabu da tsarin wasan kwaikwayo na tarihi na gargajiya, ya jawo hankalin matasa masu kallo da yanayin sa na zamani da kuma kyawawan hotuna. Ta hanyar haɗa yanayin gargajiya da yanayin zamani, ya faɗaɗa yanayin nau'in kuma ya jawo hankalin manyan jaruman zuwa ga taurari. Ta hanyar haɗa sabon matasa da ci gaban siyasa cikin jituwa, ya zama abin koyi ga wasannin kwaikwayo na tarihi na Koriya masu nasara.
89. Ma'auratan Fantasy (2006)
Wannan barkwancin soyayya mai daɗi yana nuna tashin hankalin da ke faruwa bayan da wata magajiya mai girman kai ta kamu da rashin barci. Jaruman da suka fito da wannan fim ɗin da kuma tattaunawar ban dariya sun sami yabo daga jama'a a lokacin da aka fara shirya shi. Musamman yadda jarumar fim ɗin ta yi magana, ta jawo barkwanci da yawa kuma ta haifar da hayaniya. Wannan fim ɗin ya kasance a kan wani ƙauye mai tawali'u, wanda ke nuna muhimmancin dangantaka, ya wuce barkwanci kuma ya bayyana ainihin ma'anar soyayya. Halayen da suka fito da shi suna sa shirin ya zama na gaske.
Matsayi na 88. Shigar da kalmar bincikenka: WWW (2019)
Wannan wasan kwaikwayo na ƙwararru ya nuna gasa mai zafi a masana'antar talla da kuma ayyukan mata uku masu zaman kansu tare da fahimtar juna. Hotunan sa na zamani da kuma labarin da ke da sauri suna ba da hoto mai kayatarwa na ƙarƙashin masana'antar fasahar sadarwa. An yaba masa saboda yadda yake nuna rawar jinsi na gargajiya da kuma jagorancinsa, wanda ke nuna rayuwa da gwagwarmayar mata na zamani a zahiri. Wasan kwaikwayo yana da daidaito mai kyau na rubutu da alkibla, wanda ya sa ya sami magoya baya masu yawa saboda yadda yake nuna rayuwa da gwagwarmayar mata na zamani a zahiri.
87. Itace Mai Tushen Zurfi (2011)
Wannan babban wasan kwaikwayo na tarihi mai ban mamaki ya zurfafa cikin sirrin makirci da gwagwarmayar iko da ke tattare da ƙirƙirar Hangul. Labarin ya wadatar ta hanyar sake fassara Sarki Sejong a matsayin mutumin da ke cikin wahala, kuma rawar da manyan jaruman suka taka ta taka rawa wajen samar da labarin. Ta hanyar wani labari mai ƙarfi na ɗan sanda da babban girma, wasan kwaikwayo ya haskaka falsafar mulkin sarki ga mutanensa cikin fahimta. Tsarin hankali ya nuna kololuwar wasan kwaikwayo na tarihi mai ban mamaki, kuma fim ɗin yana riƙe da hangen nesa mai zurfi game da ainihin iko da ilimi ta hanyar tabarau na haruffa.
Matsayi na 86: Ƙaura (2023)
Wannan shirin ayyukan ɗan adam yana ba da labarin yara da ke rayuwa tare da manyan ƙasashe masu ɓoye da iyayensu da ke ɓoye sirrika masu raɗaɗi. An yaba shi da buɗe sabon tushe a cikin fina-finan jaruman Koriya, yana haɗa alaƙar motsin rai ta soyayyar iyali zuwa ga babban hangen nesa na duniya. Tasirin gani mai ban sha'awa da kyawawan ayyuka sun sami martani mai ƙarfi a kasuwar duniya. Wannan babban aikin fasaha, wanda ke fassara jigon manyan ƙasashe tare da ra'ayin Koriya da ɗan adam, yana tabbatar da gasa ta duniya ta nau'in Koriya.
85. Darajar Mutum Mai Girma (2012)
Wannan aikin ya nuna abota da soyayya ta musamman ta maza huɗu masu matsakaicin shekaru a cikin shekarunsu arba'in. Da tattaunawarsa mai zurfi, ya fara sha'awar "fure mai matsakaicin shekaru", kuma bayyanar soyayyarsa ta soyayya amma mai gaskiya ta yi tasiri ga masu kallo a duk tsawon tsararraki. Buɗewar da ta musamman, wacce ke nuna alaƙar da ke tsakanin abokai huɗu, ta zama alama ta aikin, ta faɗaɗa faɗin barkwancin soyayya don ya haɗa da masu sauraro masu matsakaicin shekaru. Hotunan da suka burge fim ɗin game da salon rayuwarsu mai kyau da abota sun ƙara haɓaka ingancinsa gaba ɗaya.
Matsayi na 84: Stove League (2019)
Wannan wasan kwaikwayo na wasanni, tare da halin wasan kwaikwayo na ofis, yana nuna sake gina ƙungiyar ƙwallon baseball ta ƙarshe daga hangen babban manaja. Yana nuna yanayin wasan baseball na ƙwararru sosai, yana nuna cin hanci da rashawa da gyare-gyare a cikin ƙungiyar. Labarin fim ɗin mai kyau, wanda ya jawo hankalin har ma ga masu kallo waɗanda ba su san wasan baseball ba, da kuma rawar da babban jarumin ya taka ya haifar da nasararsa. Ta hanyar zurfafa zurfafa cikin mahimmancin gudanarwar ƙungiya da alaƙar mutane, an gane shi a matsayin kyakkyawan misali na ɗaga wani takamaiman batu zuwa wani wasan kwaikwayo na ofis mai farin jini.
Matsayi na 83: Melo Yanayi Na (2019)
Wannan wasan kwaikwayo mai salo yana nuna rayuwar yau da kullun mai sauƙi da alaƙar soyayya ta ƙungiyar mata masu kimanin shekaru talatin ta hanyar tattaunawa mai jan hankali. Rubutun mai rai yana haɓaka halayen haruffan masu ban sha'awa da gwagwarmayar gaske. Maimakon mai da hankali kan abubuwan da ke tayar da hankali, wasan kwaikwayon yana haɗa fahimtar rayuwa cikin tattaunawar yau da kullun, yana sa ya zama mabiyan aminci. Haɗin labaran soyayya na gaske da barkwanci mai zurfi na wasan kwaikwayo ya kasance mai jan hankali ga masu kallo tun lokacin da aka fara shi. Wannan ta'aziyya mai daɗi ga matasa na yau da kullun ya kafa alaƙa ta musamman ta motsin rai, wanda ya sa ya zama babban abin birgewa.
Matsayi na 82: Model Taxi (2021)
Wannan fim ɗin aikata laifuka ya nuna wata hukumar ɗaukar fansa mai zaman kanta wadda ke hukunta masu laifi a madadin waɗanda doka ba ta kare su ba. Ta hanyar amfani da abubuwan da suka faru a rayuwa ta ainihi, ya isar da babban kaddara ga masu kallo kuma ya tayar da tambayoyi game da shari'ar shari'a. Jerin ayyukan da manyan jaruman suka yi da kuma ɓoye-ɓoye daban-daban sun ba da kyakkyawan yanayi, wanda ya kai ga samun matsayi mai yawa na masu kallo. Labarin fim ɗin mai ban sha'awa, wanda ya la'anci mugun, ya sami karbuwa sosai kuma ya kafa wasan kwaikwayo na ɗaukar fansa na Koriya.
81. Taliya (2010)
Wannan wasan kwaikwayo yana cikin ɗakin girkin gidan cin abinci na Italiya, yana nuna soyayya mai cike da sha'awa da kuma soyayyar da ke cikinsa. Ya sami yabo sosai saboda yadda ya nuna yanayin ɗakin girkin na ƙwararru. Jaruman wasan kwaikwayo masu kyau da tattaunawa mai ban sha'awa sun haifar da maganganu da yawa masu jan hankali da kuma abubuwan da ba za a manta da su ba, suna haifar da yanayi mai ban sha'awa yayin watsa shi. Dangane da mahimmancin batun girki da kuma yanayin tunanin da ke tsakanin haruffan maimakon wani abu mai tayar da hankali, wannan wasan kwaikwayo mai kyau ya zama misali na barkwanci na soyayya.
Matsayi na 80: Fight My Way (2017)
Wannan soyayyar da ta taso ta nuna matasa suna ƙoƙarin ƙirƙirar hanyoyinsu, suna ƙin a yi musu hukunci bisa ga ƙa'idodin duniya. Duk da rashin daidaiton da suke da shi, an yaba wa wasan kwaikwayo saboda yadda yake nuna barkwanci da ban tausayi game da tafiyarsu a matsayin masu iko a rayuwarsu. Halayyar manyan jaruman ta samo asali ne daga masu kallo. Jajircewarsu ga mafarkinsu da ƙaunarsu, duk da mawuyacin halin rayuwa, ta yi tasiri sosai ga matasa, ta ƙarfafa matsayinsu a matsayin wasan kwaikwayo na matasa da aka tsara da kyau.
Matsayi na 79: Manaja Kim (2017)
Wannan barkwancin ofis yana nuna tafiyar da wani manajan lissafi ke yi mai cike da ruɗani, wanda hakan ya ceci kamfanin da ke fama da wahala. Masu sharhi sun ce fim ɗin yana ɓata rai kuma yana nuna al'adun kamfanoni cike da cin hanci da rashawa, yana ba masu kallo jin daɗin farin ciki. Ƙwarewar da fim ɗin ya nuna da kuma tarin jaruman da suka fito daga cikin jaruman da suka yi fice, kuma sukar da ya yi wa gwagwarmayar iko ta samu goyon baya mai ƙarfi daga ma'aikatan ofis. Labarin barkwancin ya jawo yabo daga ma'aikatan ofis da kuma masu suka.
Kashi na 78: Tambayoyin Allah (2010)
Ta hanyar haɗa batun wata cuta mai wuya a cikin tsarin bincike, shirin ya buɗe sabon tushe a cikin nau'in. Labarin, wanda ya mayar da hankali kan wani likita mai hazaka da bincikensa game da mutuwar da ba a san su ba, ya ba da labari mai ban sha'awa da ban sha'awa a kowane shiri. Bayan kawai warware laifuka, shirin ya haifar da tambayoyi masu zurfi game da mutuncin rayuwa da yanayin ɗan adam. Ya sami magoya baya na musamman, wanda ba kasafai ake samu a cikin wasan kwaikwayo na talabijin ba, kuma ya ci gaba da watsa shi na tsawon yanayi biyar, yana tabbatar da shi a matsayin wani aiki mai mahimmanci wanda ke nuna yuwuwar wasannin kwaikwayo na nau'ikan Koriya.
77. Sanin Matar Aure (2018)
Wannan wasan kwaikwayo mai ɓata lokaci yana nuna soyayya mai ban mamaki inda zaɓi ɗaya a baya ya canza halin yanzu gaba ɗaya. Bincike ya nuna cewa wasan kwaikwayo ya haɗa rikice-rikicen gaskiya na ma'aurata da suka nutse cikin gundura da yanayin mafarki don nuna mahimmancin waɗanda ke kewaye da ku cikin kwarin gwiwa. Ayyukan manyan jaruman suna ba da rai ga abin da zai iya zama wani abu mai sauƙi. Ana yaba shi a matsayin babban aikin fasaha wanda ke nuna gaskiyar rayuwar aure ba tare da tacewa ba yayin da yake riƙe da hangen nesa mai ɗumi, yana tunatar da masu kallo muhimmancin rayuwar yau da kullun.
Matsayi na 76: Ma'auratan Iƙirari (2017)
Wannan wasan kwaikwayo mai canza rayuwa ya biyo bayan ma'aurata waɗanda suka yi nadamar aurensu yayin da suka koma jami'a. Bayan soyayya mai ɓata lokaci, yana haskaka soyayya tsakanin iyaye da yara, mafarkai da aka manta, da abota. Wuraren da manyan jaruman suka sake haɗuwa da iyayensu tun suna ƙanana sun sa hawaye suka zubo wa idanun masu kallo. Rubutun da aka rubuta da kuma jagorancin ya wuce yanayin tatsuniya, yana taɓa motsin zuciyar duniya, wanda hakan ya sa wannan aikin fasaha ya zama tushen warkarwa mai daraja ga mutane da yawa.
75. Mage Mai Rufi (2003)
Wannan wasan kwaikwayo, wanda ya yi magana a kan batun da ba a saba gani ba game da zama tare kafin aure, ya tsara tattaunawar zamantakewa a lokacin da aka nuna shi. Masu sharhi sun ce ya nuna gwagwarmaya ta gaske da ƙaunar wani ɗalibi mara galihu da ke shirin jarrabawar aikin gwamnati da kuma mai neman aiki ta hanyar sararin samaniya na ɗakin rufin gida. Sabbin wasannin kwaikwayo na manyan jaruman sun burge jama'a, kuma wasan kwaikwayon ya nuna zama tare ba a matsayin abin sha'awa ba amma a matsayin tsari na rayuwa da ci gaba ga matasa. Wannan aikin fasaha ya karya iyakokin wasan kwaikwayo na Koriya kuma ya ɗaga hankalin wasan barkwanci na soyayya zuwa wani sabon mataki.
Matsayi na 74: Mu Ci Na Biyu (2015)
Bisa ga nasarar da magabacinsa ya samu, wannan kakar ta ƙara wadatar da labarin gidaje masu zaman kansu, suna mai da hankali kan abincinsu da soyayyarsu. Bayan hotunan abinci masu daɗi, shirin ya zurfafa cikin aikin tallace-tallace na gaske na jarumin a matsayin wakilin inshora da gwagwarmayar maƙwabtansa. Halin mace mai jagora, wanda aka nuna a matsayin mutum mai wahala a zahiri tsakanin cin abinci da alaƙar soyayya, ya burge masu kallo sosai. Yana riƙe da ƙarfin Season 1 yayin da yake faɗaɗa yanayin halayen, wannan shirin ya kafa ƙimar alama ta musamman ga nau'in wasan kwaikwayo na mukbang.
Wuri na 73. A wannan Shekarar Mu (2021)
Wannan fim ɗin yana ɗauke da tarin motsin rai masu sarkakiya da masoyan da suka sake haɗuwa bayan shekaru goma suka fuskanta, godiya ga shaharar wani shirin gaskiya da aka ɗauka a lokacin makarantar sakandare. Canjin yanayin fim ɗin da kuma cikakken bayanin yanayin tunanin mutum a lokaci guda suna nuna abubuwan tunawa na soyayya ta farko da kuma azabar rabuwar aure. Ayyukan jaruman da suka yi suna ƙirƙirar ƙwarewa mai ƙarfi da jan hankali koda ba tare da abubuwan da suka tayar da hankali ba. Hotunan da ke kama da ruwan ruwa da kiɗan da ke motsa rai sun haɗu don ƙirƙirar wani kyakkyawan aiki wanda ya ɗauki zurfin ra'ayin tsararrakin MZ game da soyayya.
Wuri na 72: Shrup (2022)
Wannan wasan kwaikwayo na tarihi yana nuna gwagwarmayar da sarauniya ta yi wacce ta faɗa cikin yaƙin neman ilimi na sarauta ga sarakunanta masu wahala. An yaba mata saboda yadda ta ƙara wa wasan kwaikwayo na gargajiya na fadar al'ada tare da yanayin ilimi na zamani da ƙaunar uwa. Kasancewar babbar jarumar ta kafa sabon hoto na sarauniya wacce take da tausayi da ƙuduri. Wasan kwaikwayon yana taɓa masu kallo sosai da zuciyar uwa wadda ke girmama keɓancewar kowane yaro fiye da nasararsu, wanda hakan ya sa ya zama kyakkyawan tsari na zamani na nau'in wasan kwaikwayo na tarihi.
Wuri na 71: Fadar (2006)
An shirya fim ɗin a cikin wani labari na Koriya ta Kudu a ƙarƙashin mulkin mallaka na kundin tsarin mulki, yana nuna labarin wata yarinya 'yar makarantar sakandare ta yau da kullun wacce ta zama gimbiya mai kambi. Dangane da barkwancin mai suna iri ɗaya, fim ɗin ya nuna kyawawan rayuwar sarauta da kayan ado na salon haɗe-haɗe, wanda ya ƙara jin daɗin gani. Haɗaɗɗen salon soyayyar matasa marasa laifi da gwagwarmayar iko ya jawo farin jini mai yawa. Darakta mai kyau da waƙoƙin sauti sun haifar da abin mamaki, kuma an yaba fim ɗin sosai saboda ɗaukaka wasan kwaikwayo na Koriya.
Matsayi na 70: 'Yar'uwar Cinderella (2010)
Wannan fassarar tatsuniyar Cinderella ta cikin idanun babbar 'yar'uwar ta nuna tsananin zafin ƙiyayya, soyayya, da girma. An yaba wa fim ɗin saboda waƙoƙin sa masu ban sha'awa da kuma hotunan da ke nuna motsin zuciyar jarumin, wanda ke nuna tafiyar jarumin mai suka don fahimtar ma'anar iyali. Rikicin da ke tsakanin manyan 'yan wasan kwaikwayo ya ƙara tashin hankali, kuma yanayin motsin rai na wani kamfanin giya na makgeolli (irin giyar shinkafa) ya ƙara zurfafa labarin. Wannan aikin, wanda ya zurfafa cikin raunukan ɗan adam, an yaba shi a matsayin wani babban aiki mai kyau kuma ya haifar da babban hayaniya yayin watsa shi.
69. Soyayya Littafi ne Mai Kyau (2019)
Wannan wasan kwaikwayo na shekarun tsufa, wanda aka shirya a cikin gidan buga littattafai, yana nuna wahalhalu da ƙaunar waɗanda ke ƙirƙirar littattafai. Bayyanar sa ta gaskiya ta wata mace mai ilimi sosai wadda ta ketare shingen gaskiya kuma ta dawo kan babban allo ya sa ta sami goyon baya mai yawa daga mata masu kallo. Soyayyar jaruman ta nuna irin wannan fahimta. Bayyanar da aka yi wa masana'antar buga littattafai ta haskaka sha'awar aiki, kuma gaskiyar rubutun, tana isar da ƙarfin ta'aziyyar rubutun, ta sa ya zama wani aiki mai kyau da kuma ƙarfin motsin rai.
Matsayi na 68: Talatin da Tara (2022)
Wannan soyayyar ɗan adam ta nuna abota, soyayya, da rayuwar abokai uku da ke kusa da shekaru arba'in. An yaba mata saboda ɗaukar nauyin cika shekaru talatin da tara da kuma yadda take fuskantar rabuwar da ba a zata ba. Jaruman sun nuna alaƙar da ke tsakanin jaruman da suka shafe shekaru da yawa tare. Labarin, wanda ya yi magana game da batun mutuwa yayin da yake jaddada muhimmancin wannan lokacin, ya burge masu kallo sosai, kuma fim ɗin ya sami yabo sosai saboda yadda ya nuna motsin zuciyar jaruman.
Matsayi na 67: Ranar Makafi ta Ofis (2022)
Wannan barkwancin soyayya ya ta'allaka ne akan dangantaka tsakanin ma'aikaciya da Shugabarta, waɗanda ke ɓoye asalinsu kuma suna fita da soyayya ba tare da an sani ba. Masu sharhi sun ce yanayin fim ɗin, wanda aka fara gina shi akan yanar gizo, an sake shi cikin farin ciki ta hanyar ba da umarni mai ban sha'awa da kuma wasan kwaikwayo mai kayatarwa. Labarin da ke da sauri da kuma canza salon wasan kwaikwayo na yau da kullun yana ba wa masu kallo kwarewa mai ban sha'awa. Sinadarin barkwancin manyan jaruman ya sami martani mai ban mamaki a kasuwar duniya, yana ƙara farin cikin nau'in kuma ya sake tabbatar da ikon ofis na K-rom-coms.
66. Me Ke Damun Sakatare Kim (2018)
Wannan wasan kwaikwayo yana nuna sirrin soyayya tsakanin mataimakin shugaban masu son zuciya da sakatarensa, wanda ya kasance mataimakinsa cikakke tun bayan barin aikinsa. Dangane da sunan mai suna iri ɗaya, wasan kwaikwayon yana da 'yan wasa masu inganci da kuma kyawawan hotuna, yana ci gaba da yin hayaniyar jama'a. An yaba da abubuwan ban sha'awa na wasan kwaikwayo tsakanin jaruman a matsayin barkwancin soyayya na gargajiya, wanda ya sa ya shahara sosai. Hotunan da aka nuna na tafiye-tafiyen haruffan ta hanyar warkarwa daga raunin da ya faru a baya sun daidaita labarin, kuma wasan kwaikwayon ya yi nasarar wuce kyan gani na asali zuwa wasan kwaikwayo mai sauƙin fahimta.
Matsayi na 65: Yeonmo (2021)
Wannan soyayyar sarauta ta biyo bayan wata yarinya da aka yi watsi da ita wadda ta ɓoye kanta a matsayin namiji ta zama yarima mai jiran gado bayan mutuwar ɗan'uwanta. Babban aikin jarumar ya ba da sahihancin labarin, kuma labarin soyayya mai ban sha'awa wanda ya wuce haramtattun abubuwa yana jan hankalin masu kallo. Bincike ya nuna cewa rikice-rikicen siyasa masu rikitarwa da rikice-rikice sun haɗu don haɓaka jan hankalin wannan wasan kwaikwayo na tarihi mai haɗaka. Ya zama wasan kwaikwayo na farko na Koriya da ya lashe kyautar Emmy ta Duniya, yana nuna gasa a duniya na abubuwan K, kuma ingancin labarinsa abin birgewa ne.
64. Mujallarmu (2022)
Wannan wasan kwaikwayo na wasan kwaikwayo na omnibus da aka shirya a Tsibirin Jeju, yana ba da tallafi ga waɗanda ke ƙarshen rayuwarsu ko kuma a ƙarshen rayuwarsu. Fahimtar marubuci Noh Hee-kyung game da ɗan adam ta haskaka, kuma an yaba wa 'yan wasan kwaikwayo saboda yadda suka nuna rayuwarsu mai wahala amma mai ban sha'awa ta maƙwabta. Wasan kwaikwayon ya haɗa jigogi masu nauyi kamar nakasa da talauci a cikin yanayin Jeju. Ba tare da amfani da labaran da ke tayar da hankali ba, yana farkar da mai kallo ga mutuncin ɗan adam, yana kwantar da hankalinsu sosai kuma yana motsa su. Ana ɗaukarsa a matsayin babban aikin fasaha na zamani wanda ke haifar da tunani kan ma'anar rayuwa.
Matsayi na 63: Nawa (2021)
Wannan wasan kwaikwayo mai ban mamaki yana ba da labarin mata masu juriya waɗanda suka rabu da wariyar duniya suka gano ainihin kansu. Labarinsa mai ban sha'awa yana warware sha'awar ɗan adam da sirrin da ke ɓoye a cikin kyakkyawan yanayi na iyali mai arziki. Ayyukan da manyan jaruman suka yi suna ɗaukaka ingancin wasan kwaikwayo, kuma haɗin kai na mata da kansu yana ba da wata kyakkyawar kwarewa mai ban mamaki. Ta hanyar binciken kansa, wanda dole ne a kiyaye shi ko da a cikin kwadayi, an yaba fim ɗin saboda kamalar labarinsa da ingancinsa na fasaha.
Matsayi na 62: Magada (2013)
Wannan soyayya mai ban sha'awa ta matasa 'yan shekara 18 da ta gabata, wadda ke nuna soyayya da abota da ɗaliban makarantar sakandare masu arziki, ta haskaka da tattaunawa mai kayatarwa ta marubuciya Kim Eun-sook. Ya haifar da kalmomi masu jan hankali da yawa kuma an yaba masa saboda yadda yake nuna rikice-rikicen makaranta da ci gabanta, wanda ya yi kama da al'umma mai zaman kanta. Fim ɗin ya yi alfahari da shahararsa daga manyan jaruman fim ɗin da kuma kyawawan hotuna. Fim ɗinsa mai ban sha'awa amma mai ban sha'awa na yawo tsakanin matasa ya sami magoya baya masu ƙarfi a cikin gida da kuma na duniya, wanda hakan ya sanya shi ya zama abin tunawa ga Hallyu, wanda ya nuna kololuwar salon soyayya na matasa.
61. Sea Village Cha Cha Cha (2021)
Wannan wasan kwaikwayo na soyayya mai warkarwa ya biyo bayan wani likitan hakori da wani mutum mara aiki a garin Gongjin da ke bakin teku. Ba tare da mugun mutum mai tayar da hankali ba, ya kama labarai masu sauƙi da zukatan mutanen ƙauyen, yana ba da jin daɗin jin daɗi ga duniya. Halayyar da ke tsakanin manyan jaruman ta haifar da farin ciki, kuma sararin Gongjin ya ba da mafaka ga mutanen zamani masu gajiya. Kyawawan hotunan fim ɗin sun nuna tsarin sake gina dangantaka, cimma nasarar ofishin akwatin fina-finai na duniya da kuma samun yabo daga masu suka da masu kallo saboda wasan kwaikwayo mai kyau.
60. Kashe Ni, Ka Warkar da Ni (2015)
Wasan kwaikwayo, wanda ke binciko soyayyar da ke tsakanin wani jarumi na ƙarni na uku mai halaye daban-daban guda bakwai da likitan tabin hankali, ya yaɗa labarin da ya haifar da rashin lafiyar halaye da yawa. Labarinsa mai zurfi, wanda ke binciko raunukan cikin haruffan da tafiye-tafiyensu na warkarwa, an yaba shi saboda labarin da ya yi. Ayyukan manyan jaruman a cikin ayyuka bakwai, kowannensu hali ne na musamman, ya jawo yabo saboda ƙwarewarsu. Wasan kwaikwayo ya ɗaukaka abin da zai iya zama babban batu tare da barkwanci da motsin rai, yana nuna ainihin asalin barkwancin ɗan adam. Wannan aikin fasaha ya sami goyon baya mai ƙarfi da kuma yawan masu kallo.
Matsayi na 59: Likita mai soyayya, Malama Kim (2016)
Shirin wanda aka shirya a wani asibiti mai cike da rudani, yana bin diddigin labarin wani likita mai hazaka da kuma matasa likitoci masu sha'awar aiki. Masu sharhi sun ce ya kai kololuwar wasan kwaikwayo na likitanci, yana isar da sakonni masu karfi game da tsarkin rayuwa da kuma ɗabi'un ƙwararru. Yanayin ɗakin tiyata mai tsauri da kuma imani masu karo da juna na haruffan ya haifar da babban tashin hankali a kowane shiri. Wannan shirin, wanda ya kafa harsashin shiri mai nasara, ya burge masu kallo sosai ta hanyar nuna muhimmancin shugabanci wanda ke mai da hankali kan muhimman abubuwa yayin fuskantar mulkin kama-karya.
Matsayi na 58: Zuriyar Rana (2016)
Wannan fim mai ban sha'awa na ɗan adam yana ba da labarin wani matashi soja da likitoci waɗanda ke mafarkin soyayya da nasara a cikin wani ƙasa da ba a sani ba da kuma yanayi mai tsanani. Tare da babban girma da tattaunawa mai zurfi, ya haifar da yanayi mai ban sha'awa a duk faɗin Asiya lokacin da aka nuna shi, wanda ya ɗaga matsayin abubuwan da ke cikin K. Fim ɗin ya nuna ɗan adam yana bunƙasa a cikin wani yanayi na bala'i da soyayya mai ban tausayi ya ƙara shahararsa. An ɗauke shi a matsayin misali mai nasara na kafin a fara shirya shi, kuma kyawawan hotunansa sun taimaka wajen sake farfaɗo da duniyar Koriya.
Wuri na 57: Hasumiyar Fari (2007)
Wannan wasan kwaikwayo na likitanci na gaskiya, wanda aka gina a kan wani asibiti na jami'a, ya yi nazari sosai kan burin ɗan adam na iko da kuma rikicin siyasa a cikin al'ummar likitanci. Ya bambanta da labarin da aka saba gani tsakanin nagarta da mugunta, ya nuna gwagwarmaya da faɗuwar jaruman jaruman sa masu girma uku, yana ɗaga matsayin wasan kwaikwayo na ƙwararru na Koriya. Babban maki da jagorancin da aka yi ya ƙara ta'azzara tashin hankali, yayin da wasan kwaikwayo ya ɗauki yanayin wani fanni na musamman da kyau. Yana riƙe da fahimtar yanayin ɗan adam, shirin ya kasance na gargajiya ko da bayan an watsa shi.
56. Lokacin da Camellia ta yi fure (2019)
Wannan fim ɗin yana kan asalin ƙauyen Ongsan, yana nuna wata mata da ta makale cikin wariya wadda ta shawo kan shingen kanta kuma ta girma. An yaba wa gaurayar nau'ikansa na musamman, waɗanda suka haɗa da barkwanci na soyayya da abubuwan ban sha'awa, saboda kyawun labarinsa. Bayyanar sa mai sauƙi amma kuma ta gaske ta hanyar haɗin kai tsakanin maƙwabta yana da matuƙar tasiri ga dukkan tsararraki. Rubutun da aka tsara da kuma alkiblar da aka tsara sun tabbatar da girman talakawa, kuma an san fim ɗin a matsayin alamar wasan kwaikwayo mai kyau, inda ya lashe kyaututtuka da yawa a bukukuwan bayar da kyaututtuka.
Matsayi na 55: Sangdoo, Mu Je Makaranta (2003)
Wannan wasan kwaikwayo na soyayya cikin barkwanci amma abin baƙin ciki yana nuna rayuwar wani mutum mai ban tausayi da ke fafutukar kare ƙaunarsa ta farko. An ruwaito cewa ƙaunar da jarumin ya yi, wadda ke riƙe da rashin laifi ko da kuwa ta fuskanci mummunan ƙaddara, ta sa masu kallo suka yi hawaye. Waƙar marubuci Lee Kyung-hee mai ma'ana ta haɗu da ƙarfin halin jaruman, tana barin wani abu mai ɗorewa. Wannan aikin fasaha, wanda ke haskaka ɗabi'un ɗan adam da ainihin soyayya, waɗanda aka kiyaye ko da kuwa a fuskar wariya da wahala ta zamantakewa, ya sami mabiya masu himma.
Matsayi na 54: Masoya a Paris (2004)
A kan asalin birnin Paris, an nuna dangantakar soyayya tsakanin magaji mai ban mamaki da ɗalibi na ƙasashen waje na yau da kullun, wanda ya zarce ƙimar masu kallo da kashi 50%. An yaba wa marubuciyar Kim Eun-sook mai kyau da ci gaban labarin da ba a saba gani ba saboda kafa sabon tsari na barkwanci na soyayya. Lakabin wasan kwaikwayo da kuma rawar da manyan 'yan wasan kwaikwayo suka taka sun haifar da yanayi mai ban sha'awa a duk faɗin ƙasar, wanda ya ƙara mata matsayi a tsakiyar al'adun jama'a. Wannan salon zamani na labarin Cinderella na gargajiya ya sami babban nasara, wanda ya sanya shi wani muhimmin tarihi a tarihin wasan kwaikwayo na Koriya.
Matsayi na 53: Damo (2003)
Wasan kwaikwayo, wanda ya nuna abubuwan ban mamaki da kuma soyayyar wani jami'in bincike na Joseon, "Damo," tare da kyawawan hotuna, ya zama wasan kwaikwayo na farko na Koriya da ya ƙirƙiri wani fandom mai sha'awa, wanda aka sani da "Pae-in," (a zahiri, "mai jaraba ga wasan kwaikwayo"). Haɗinsa mai jituwa na kyawawan jagororin dabarun yaƙi, wanda ke nuna jerin ayyukan waya, da tattaunawa ta zamani ya sa aka san shi a matsayin sabon yanayi don haɗa wasannin kwaikwayo na tarihi. Siffar waƙoƙinsa na azabar haruffa da ke fuskantar shingen ajin zamantakewa ya burge masu kallo sosai. Kalmominsa masu ban sha'awa, "Shin yana ciwo? Ni ma ina ciwo," ya zama abin birgewa a cikin al'adun gargajiya, kuma ya kasance babban aikin fasaha wanda ya canza yanayin wasan kwaikwayo na tarihi.
Matsayi na 52: Chuno (2010)
Wannan wasan kwaikwayo na tarihi na aikin yana nuna labarin wani mafarauci bawa yana bin bawa da ya gudu. Abubuwan da yake gani da kuma wasan kwaikwayo na yaƙi masu ban sha'awa sun fito fili. Fahimtarsa mai zurfi game da rayuwar talakawa da kuma sabanin tsarin ƙabilu ya jawo masa yabo mai mahimmanci, yana ƙirƙirar labari daban da wasan kwaikwayo na tarihi na gargajiya. Fim mai sauri yana ƙara jin daɗin gani, kuma waƙoƙin kiɗa masu ban sha'awa suna ƙara jin daɗin yanayi mai ban tausayi. Bayan aikin kawai, fim ɗin yana ba da tattaunawa mai zurfi kan 'yancin ɗan adam da daidaito, yana buɗe sabon tushe a cikin nau'in tarihi.
Matsayi na 51: Sarauniya Seondeok (2009)
Wannan wasan kwaikwayo ya mayar da hankali ne kan rayuwar Sarauniya Seondeok, sarauniya ta farko a tarihin Koriya, inda ya nuna gwagwarmayar iko da jarumtakar Silla. An ce kasancewar wannan mugun hali, musamman, ya ƙara tashin hankali kuma ya haifar da karuwar masu kallo. Ta hanyar batun Hwarangdo da Misil mai jan hankali, wasan kwaikwayon ya nuna ainihin yaƙin fasaha na siyasa. Mai wadata a cikin abubuwan gani, gami da kyakkyawan labari da kayan ado masu ban sha'awa, wasan kwaikwayon ya sake fassara labarin ci gaban shugabancin mata da hankali na zamani, yana samun yabo da yabo daga jama'a.
Matsayi na 50: Duk a ciki (2003)
Wannan wasan kwaikwayo mai ban mamaki ya nuna gasa da soyayya tsakanin mutane biyu da aka haifa da makoma daban-daban, waɗanda aka gina a kan duniyar gidajen caca. Batutuwan da suka bambanta da kuma wurare masu ban sha'awa a ƙasashen waje sun jawo hankalin masu kallo lokacin da aka nuna shi. Haɗaɗɗen fim ɗin na soyayya mai ban sha'awa da labarin maza game da buri da cin amana ya jawo yabo sosai, wanda ya haifar da shahararriyar shahara. Ayyukan da manyan jaruman suka yi sun ƙara jan hankalin wasan kwaikwayo, kuma kiɗan wasan kwaikwayo ya zama babban abin burgewa, wanda ya mai da shi babban abin kwaikwayo wanda ya yi tasiri mai ƙarfi ga al'adun jama'a.
49. Dodanni (2021)
Wannan fim mai ban dariya na tunani ya binciko mummunan yanayi da ke ɓoye a ƙarƙashin ɗan adam ta hanyar jerin kisan kai da ke faruwa a wani ƙauye mai nisa. Alkiblarsa mai kyau, wadda ta mayar da hankali kan karyewar tunani da kuma canjin alaƙar haruffa maimakon gaskiyar da ke bayan laifukan, ta sami yabo sosai. An ce wasan kwaikwayo na manyan jaruman ya ƙara tashin hankali zuwa wani yanayi mai ban mamaki. Rubutun mai ƙarfi yana ɗaga nahawun ɗan wasan kwaikwayo na Koriya, kuma yana ba da ta'aziyya mai zurfi ga waɗanda ke fama da radadin rashin nasara, yana cimma fasaha da shahara a cikin wannan kyakkyawan aikin.
48. Abin da ya faru a Bali (2004)
Wannan waƙar ta nuna soyayya mai kisa da kuma sha'awar samari maza da mata huɗu. Bayan sun rabu da tsarin soyayya na yau da kullun, ba tare da wata shakka ba, ta nuna rashin ƙarfin hali da kuma mallakar da ta samo asali daga bambancin aji, wanda hakan ya haifar da wani mummunan tasiri. Ƙarshen da ba a iya faɗi ba kuma mai ban mamaki abin tunawa ne musamman a matsayin ɗaya daga cikin mafi ban mamaki a tarihin wasan kwaikwayo. Rubutun, wanda ya ɗauki halayen haruffan da suka karkace a hankali, da kuma rawar da 'yan wasan kwaikwayo suka taka ya haifar da magoya baya masu aminci. Ana ɗaukarsa a matsayin wanda ya wuce iyakokin wasan kwaikwayo na zamani ta hanyar nuna ƙarshen sha'awar duniya cikin rashin imani.
47. Daukaka (2022)
Wannan labarin wata mata ce, wadda ta ruɗe da ruhinta sakamakon tashin hankalin yara, wadda ta shirya rayuwarta da kyau don ɗaukar fansa mai tsanani, da kuma waɗanda suka faɗa cikin guguwar. Masu sharhi sun ce ta hanyar magance matsalar zamantakewa ta tashin hankalin makaranta kai tsaye, fim ɗin ya haifar da fushi da tausayi a duniya. Tattaunawar marubuciya Kim Eun-sook da kuma wasan kwaikwayo na babbar jarumar sun haɗu don cimma matsaya a cikin wannan wasan kwaikwayo na ɗaukar fansa. Ɗaukar fansa mai ban tsoro ga masu aikata laifin ya bai wa masu kallo ƙarfin jin daɗin katari, wanda ya ƙara nuna yadda abubuwan K ke isa duniya.
Matsayi na 46: Kaka a Zuciyata (2000)
Wannan wasan kwaikwayo mai ban dariya, wanda ke nuna soyayyar wani namiji da mace mai ban tausayi wacce makomarsu ta haɗu saboda haihuwa ta sirri, tare da hotunan waƙoƙi, ya jagoranci farkon sha'awar Hallyu. Da layinsa na yau da kullun, "So? Kada ku sa ni dariya. Zan saye shi da kuɗi yanzu," ya jawo hankalin manyan 'yan wasan kwaikwayo zuwa ga fitattun mutane. A matsayin farkon shirin Four Seasons, babban daraktan sa na motsin rai da labarinsa mai ban tausayi ya sa hawaye suka zubo wa idanun masu kallo na kowane zamani, inda ya kai matsayin masu kallo mafi girma. Babban aikin fasaha ne wanda ke nuna soyayya mai ban tausayi ta gargajiya kuma ya nuna tasirin motsin rai na waƙoƙin gargajiya na Koriya a duk duniya.
Matsayi na 45: Lokacin Zinare (2012)
Fim ɗin da aka shirya a wani babban asibiti mai fama da rauni, ya nuna gwagwarmayar da ma'aikatan lafiya ke yi don ceton marasa lafiya da ke gab da mutuwa. Ya yi suka sosai kan rashin ingancin tsarin da kuma mummunan gaskiyar kula da lafiya, wanda ya jawo yabo saboda sahihancinsa a matsayin wasan kwaikwayo na likita. Alkiblar da ke nuna yanayin tashin hankali na ɗakin gaggawa, da kuma rawar da manyan jaruman suka taka, ta ƙara nishadantar da su sosai. Bayyanar sa kai tsaye game da baƙin ciki da ci gaban likitoci waɗanda suka fifita tsarkin rayuwa fiye da komai, ya haifar da kyakkyawan aikin fasaha wanda a lokaci guda yake isar da jin daɗi na musamman ga nau'i kuma yana isar da saƙo mai zurfi na zamantakewa.
Matsayi na 44: Sonata na hunturu (2002)
Wannan babban aikin, tare da hotunan waƙoƙinsa da kuma labarin da ke da ban tausayi bisa ga tunanin soyayya ta farko, ya haifar da sha'awar Koriya a duk faɗin Asiya. An yaba wa daraktocin da suka nuna sha'awa, waɗanda aka yi a kan dusar ƙanƙara, da kuma waƙoƙin da suka faranta rai saboda sun motsa motsin zuciyar masu kallo da kuma ƙirƙirar yanayi na musamman. Manyan jaruman sun sami karbuwa sosai a Japan, inda suka zama taurarin Koriya ta farko, kuma wannan ya zama babban abin ƙarfafawa ga abubuwan al'adun Koriya su faɗaɗa zuwa kasuwar duniya. Bayyanar da ta yi game da tsantsar soyayya mai tsabta, marar ka'ida ta zama alama ce ta Koriya ta Arewa.
Matsayi na 43: Sirri (2013)
Wannan wani wasan kwaikwayo ne na gargajiya, mai cike da sha'awa game da wani mutum da ya kamu da soyayya da matar da ta kashe masoyinsa, labarin ɗaukar fansa mai tsanani da kuma wasan kwaikwayo mai ban dariya. Masu sharhi sun ce jigon da zai iya tayar da hankali an nuna shi da cikakkun bayanai na tunani da kuma wasu layukan motsin rai masu ban sha'awa, waɗanda suka jawo hankalin masu kallo. Ayyukan jaruman da suka nuna sun tabbatar da sahihancin wasan kwaikwayon kuma sun jawo shahararsa. Hotunan wasan kwaikwayo masu ban sha'awa na laifi da ƙiyayya da suka canza zuwa soyayya sun tabbatar da ikon nau'in wasan kwaikwayo mai ban dariya. Ya sami babban matsayi na masu kallo a duk tsawon lokacin da yake yi, yana haifar da abin mamaki da kuma barin ra'ayi mai ɗorewa.
Matsayi na 42: Coffee Prince (2007)
Wannan soyayya mai wartsakewa tsakanin wata jaruma mace mai sanya kaya iri-iri da magajin chaebol na ƙarni na uku ya zama abin koyi a wasan kwaikwayo na bazara. Alkiblarta mai kyau da kuma wasan kwaikwayo na halitta, wanda ke nuna tsantsar soyayya wacce ta wuce shingen jinsi, ta mamaye zukatan jama'a. Ta fara al'adar cin abinci ta hanyar ƙwarewa a cikin jigon kofi, kuma bayyanarsa mai laushi na haɓaka halaye ya sa aka san ta a matsayin wata alama ta musamman ta wasan kwaikwayo na matasa. Sauyin da take yi kan rawar jinsi na yau da kullun yana ba da kwarewa mai ban sha'awa, kuma hotunanta masu ban sha'awa sun kasance abin kallo har zuwa yau.
41. Kwayar cutar Beethoven (2008)
Wannan wasan kwaikwayo na ƙwararru ya haɗa ƙalubale da rikice-rikicen waɗanda ke ƙoƙarin ƙirƙirar ƙungiyar makaɗa tare da yanayin kiɗan gargajiya mai ban sha'awa. An ce halin jagoran da ba ya jin tsoron harsuna masu kaifi, ya haifar da jin daɗin zamantakewa ta hanyar nuna kasancewarsa ta musamman. Labarin mutanen da suka manta da mafarkansu na samun ainihin kansu ta hanyar kiɗa ya burge masu kallo sosai. Wannan aikin da aka yi mai matuƙar nasara, wanda ya haɗa ƙwarewar ƙwararru da nishaɗin da aka shahara da shi, ya faɗaɗa fa'idar nau'in ƙwararru kuma ya gabatar da sabuwar alkibla ga wasan kwaikwayo na kiɗa.
Matsayi na 40: Likitan soyayya, Malama Kim 2 (2020)
Wannan wasan kwaikwayo na likitanci, wanda aka kafa a wani asibiti na lardi, ya biyo bayan ci gaban wani likita mai hazaka da kuma ƙungiyar likitoci matasa. Ya yi nasarar faɗaɗa ra'ayin duniya na Kashi na 1, yana sake tabbatar da muhimmin saƙonsa na tsarkin rayuwa da ɗabi'un ƙwararru. Ko da a tsakiyar rikici da babban tushe, jajircewar shirin na fifita marasa lafiya ya yi tasiri sosai ga masu kallo. Labarun da suka yi ƙarfi da kuma yanayin tiyatar da aka yi sun tabbatar da ƙwarewar shirin, kuma ya sami goyon baya sosai a matsayin babban aikin da ya nuna hanya ga tsararrun wasan kwaikwayo na gaba.
39. Rana ta Biyu ta Jagora (2013)
Wannan wasan kwaikwayo na ban tsoro na soyayya yana nuna gwagwarmayar kwantar da hankali tsakanin mai shagon siyayya mai rowa da girman kai da kuma wata mace da ke ganin fatalwowi. Tsarin nau'insa na musamman, wanda ya haɗa da barkwanci na ban tsoro da na soyayya, ya haifar da wani yanayi yayin da ake watsa shi. Masu sharhi sun ce shirin ya isar da saƙon warkarwa da mahimmancin dangantakar ɗan adam ta hanyar labaran fatalwowi da ke bayyana a kowane shiri. Ayyukan ban sha'awa na manyan jaruman da kuma daraktocin da suka ja hankali sun taimaka wajen shahararsa, kuma ana ɗaukar shirin a matsayin babban aikin da ya ƙunshi sarkakiyar nau'insa. Rubutun tunani ya bai wa masu kallo kwarewa mai ban sha'awa.
38. Rayuwa a duniyar Mars (2018)
Wannan wasan kwaikwayo na bincike ya biyo bayan wani jami'in bincike da ke bin diddigin wani mai kisan kai wanda ya yi tafiya a baya zuwa 1988 don magance wata matsala mai ban tsoro. An yaba wa wannan fim ɗin a matsayin wanda ya fi na asali, tare da hangen nesa mai rikitarwa wanda ya haɗa abubuwan da suka gabata da na yanzu da kuma kyakkyawar alaƙa tsakanin haruffan, wanda ya ƙara jan hankalin nau'in. Wannan fim ɗin mise-en-scène da aka ƙera da kyau, wanda ya sake ƙirƙirar yanayin shekarun 1980, da kuma labarin mai cike da rudani yana ba wa masu kallo nishaɗin tunani da tasirin motsin rai. Wannan fim ɗin bincike na Koriya, wanda ya haɗa da wasan kwaikwayo mai ƙarfi da darakta, babban aiki ne.
37. Gidan Daka (2020)
Wannan wasan kwaikwayo na ɗaukar fansa mai cike da rudani ya nuna yaƙi kan ilimi da gidaje a cikin babban yanki na gidaje wanda sha'awace-sha'awace marasa tushe waɗanda ba za a iya gamsar da su ba. Labarinsa na yau da kullun da kuma karkatar da hankali da ba a zata ba sun jawo hankalin masu kallo, suna cimma matsayi mai ban mamaki. Yana ɓata girman kai da munafunci na manyan mutane, yayin da labarinsa mai tayar da hankali ya ƙara nishadantar da mutane. Ayyukan manyan jaruman sun jawo hankali a kowane shiri, suna ɗaga wasan kwaikwayo na Koriya makjang zuwa ga manyan fina-finai, da kuma ƙirƙirar magoya baya masu ƙarfi a kasuwannin cikin gida da na ƙasashen waje.
Matsayi na 36: Misaeng (2014)
Wannan zane mai kyau ya biyo bayan jarumin, wanda rayuwarsa ta kasance game da baduk, yayin da ya kasa zama ƙwararren ɗan wasa kuma aka jefa shi cikin mawuyacin hali na rayuwar ofis. Masu sharhi sun ce zane mai kaifi amma mai daɗi na gwagwarmayar ma'aikatan ofis na yau da kullun waɗanda ke mafarkin "rayuwa cikakke" ya yi tasiri ga masu sauraro a duk tsararraki. Maimakon labarin jarumtaka mai ban sha'awa, wasan kwaikwayo ya zurfafa cikin ƙananan nasarori da shan kaye na rayuwar yau da kullun, yana buɗe sabon tushe a cikin wasan kwaikwayo na ofis. Yana ba da ta'aziyya mai zurfi ga waɗanda ke jure fagen fama na wurin aiki, wannan aikin fasaha ya kasance babban aikin fasaha mara iyaka.
Wuri na 35: Tashin matattu (2005)
Mutumin da ya rasa iyalinsa a cikin hatsari kuma aka canza makomarsa ya dawo don ɗaukar fansa mai tsanani, wanda aka nuna ta hanyar cikakkun bayanai na tunani da labarin karkacewa da juyawa. Masu sharhi sun ce fim ɗin ya kafa wani sabon tarihi a cikin wasannin kwaikwayo na nau'ikan, yana ƙirƙirar tushen magoya baya masu sha'awar da aka sani da "Tashin Hankali daga Matattu." Rubutun, wanda ya sanya jigon ɗaukar fansa mai tayar da hankali zuwa tunani na falsafa game da laifin ɗan adam da gafara, ya yi fice. Manyan rawar da manyan jaruman suka taka sun tabbatar da sahihancin wasan kwaikwayon, kuma tsarin labarin mai ƙarfi ya sa wannan kyakkyawan aikin fasaha wanda ya kasance babban wasan kwaikwayo na ɗaukar fansa.
Matsayi na 34: Iris (2009)
Tare da haɗa ayyukan leƙen asiri masu ban sha'awa da soyayya, fim ɗin ya haifar da sabon zamani ga fina-finan Koriya masu ban sha'awa. An ce wuraren da fim ɗin ya shahara a ƙasashen waje, waɗanda aka ɗauki nauyinsu da tsadar shiryawa, da kuma faɗace-faɗace masu ban sha'awa sun bai wa masu kallo farin ciki bayan fitowarsa. Labarin da ke cikin Hukumar Tsaron Ƙasa, da cin amana da makircin da ke tsakanin jaruman fim ɗin ya ƙara tayar da hankali mai ban mamaki zuwa wani sabon matsayi. Ayyukan da manyan jaruman suka yi sun ƙara inganta nutsewar fim ɗin, wanda ya ɗaga girman abubuwan da Hallyu ya kunsa zuwa wani sabon mataki, wanda hakan ya sanya shi wani babban abin koyi wanda ya yi tasiri sosai ga kasuwar duniya.
33. Ci gaba (2020)
A zamanin da sadarwa ke da wahala duk da cewa tana magana da harshen Koriya ɗaya, wasan kwaikwayo yana nuna soyayya mai sauƙi tsakanin mutane da ke ƙoƙarin yin magana da harsuna daban-daban. Tattaunawa mai zurfi da haruffa masu girma uku, waɗanda suka rabu da nahawun wasan kwaikwayo na yau da kullun, sun sami goyon baya mai ƙarfi daga matasa masu kallo. Labarin girmama nisan wasu yayin da suke fahimtar su a lokaci guda yana ba masu kallo jin daɗin jin daɗi. Ikon rubutun na jagorantar labarin ta hanyar tattaunawa kawai, ba tare da yanayi mai tayar da hankali ba, ya fito fili, kuma wannan babban aikin fasaha yana ba da sabon hangen nesa kan dangantaka mai kyau, yana barin ra'ayi mai ɗorewa.
Matsayi na 32: Model Taxi 2 (2023)
Wannan wasan kwaikwayo mai cike da bincike ya biyo bayan nasarorin da Rainbow Transport, wani wakili mai zaman kansa wanda ke neman ɗaukar fansa a madadin waɗanda abin ya shafa waɗanda ba su sami kariyar doka ba. Idan aka kwatanta da Kashi na 1, faɗaɗa girman da shirye-shiryen da suka dogara da abubuwan da suka faru na gaske sun bai wa masu kallo damar samun ƙarfin hali. Matsayin tallafi daban-daban na manyan jaruman ya ƙara jan hankalin wasan kwaikwayo, da kuma tsarin hukunta miyagun mutane ya gamsar da sha'awar jama'a na adalci a zamantakewa. Ta hanyar gabatar da saƙon "nasara mai kyau akan mugunta" ta hanyar zamani, shirin ya ci gaba da samun nasarar jerin shirye-shiryen Koriya, inda ya kai kololuwar hayaniyar.
31. Yara Maza Masu Fure (2009)
Wannan soyayya ta matasa game da soyayya tsakanin wata yarinya 'yar makarantar sakandare ta yau da kullun da magajin wani iyali mai arziki ta haifar da wani yanayi mai ban mamaki a duk faɗin Asiya. An kama salon rayuwarta mai ban sha'awa da kuma fahimtar barkwancinta na asali cikin nasara, wanda ya ƙara jin daɗin gani. Manyan jaruman sun yi fice, kuma shirin ya haifar da maganganu marasa adadi da kuma manyan al'amuran da suka shahara, wanda ya haifar da sauyi a al'adar jama'a. Yanayinta mai ban mamaki da kuma abubuwan da suka faru na zamani sun kafa dabarar nasara ga nau'in wasan kwaikwayo na matasa, yana nuna ƙwarewar K-drama a kasuwar duniya kuma yana jagorantar raƙuman Hallyu.
Wuri na 30: Masarauta (2019)
An kafa shi a Daular Joseon, wannan fim mai ban mamaki yana nuna annobar aljanu da gwagwarmayar iko da dawowar wani sarki da ya mutu ta haifar. Yana haɗa hotunan Koriya da abubuwan da suka shafi nau'ikan Yamma ba tare da wata matsala ba, wanda ya haifar da wani lamari na "K-Zombie" na duniya. Masu sharhi sun ce yana sukar saɓanin da ke tsakanin ajin zamantakewa ta hanyar sanya ɗabi'ar yunwar ɗan adam a tsakiyar labarin. A matsayin shirin farko na asali na Netflix na Koriya, wannan babban aikin fasaha na musamman, tare da kyawawan abubuwan gani da labarin da ke daure kai, ya tabbatar da gasa a duniya na abubuwan da ke cikin Koriya.
Na 29: Ƙaramin ɗa na Iyalan Chaebol (2022)
Wannan wasan kwaikwayo na ofis na tatsuniya ya biyo bayan sakataren iyalin chaebol wanda ya dawo rayuwa a matsayin ƙaramin ɗa. Yana haɗa muhimman abubuwan da suka faru a tarihin Koriya ta zamani da ta zamani tare da gudanarwar kamfanoni, yana ba masu kallo jin daɗin tunani da gamsuwa ta wucin gadi. Ayyukan manyan jaruman sun ƙara nauyi ga wasan kwaikwayo, yayin da yaƙe-yaƙe masu rikitarwa da jujjuyawar abubuwa ke haifar da ƙwarewa mai zurfi. Wasan kwaikwayo ya bincika dabarun jari-hujja da sha'awar ɗan adam, yana samun bita mai kyau daga masu suka da masu sauraro, da kuma cimma mafi girman ƙimar masu kallo fiye da kowace hanyar sadarwa ta duniya.
Matsayi na 28: Likitan soyayya, Malama Kim 3 (2023)
Ta hanyar faɗaɗa duniyar Asibitin Dol Dam don haɗawa da cibiyar kula da rauni, wasan kwaikwayon ya ƙara nuna damuwa da kuma jin daɗin manufa a fannin likitanci. Haɗin gwiwa mai ƙarfi da jagoranci mai girma da aka haɓaka a tsawon lokutan sun burge masu kallo sosai. Bayyanar shirin game da ɗan adam da gwagwarmayar kare mutuncin rayuwa a tsakanin bala'o'i, musamman, ya nuna ainihin wasan kwaikwayo na likitanci. Wannan aikin da aka yi mai matuƙar nasara ya nuna ƙarfinsa a matsayin jerin shirye-shirye masu nasara kuma ya kafa wani muhimmin ci gaba ga wasan kwaikwayo na ƙwararru da ke cike da ɗan adam.
27: Faɗuwar Hatsari a Kanka (2019)
Wannan fim ɗin ya nuna wani sirrin soyayya tsakanin wata magajiya mai suna chaebol wacce ta faɗi a Koriya ta Arewa bayan hatsarin paragliding da wani jami'in Koriya ta Arewa. Ta hanyar haɗa yanayin almara da barkwanci na soyayya da yanayi na musamman na rarrabuwar yankin Koriya, fim ɗin ya sami nasara a duniya. Bambancinsa mai ban sha'awa tsakanin rayuwar Koriya ta Arewa da ta Kudu, yayin da kuma yake nuna ƙauna ta duniya da alaƙar motsin rai, ya jawo masa yabo mai mahimmanci. Darakta mai kyau da kuma keɓantaccen tsari tsakanin manyan jaruman ya haifar da dogon lokaci a dandamalin OTT na duniya, wanda ya sake nuna kyakkyawan da kuma jan hankalin K-drama a matsayin nau'in soyayya.
Matsayi na 26: Ajin Itaewon (2020)
Fim ɗin, wanda aka nuna a kan titunan Itaewon, yana nuna tawayen matasa waɗanda suka haɗu ta hanyar taurin kai da jarumtaka a cikin duniyar da ba ta da adalci. Sauya jigon ɗaukar fansa na gargajiya zuwa labarin ci gaban matasa ya sami goyon baya mai ƙarfi daga matasa. Manyan jaruman fim ɗin da gwagwarmayar jarumin don tabbatar da imaninsa sun ba wa masu kallo yanayi mai daɗi. Fim ɗin, wanda ya kawo labarin webtoon mai ƙarfi tare da hotuna masu ban sha'awa, ya sami martani mai ƙarfi a kasuwar duniya kuma fim ne mai farin jini da kyau.
Matsayi na 25: Dodanni Shida Masu Tashi (2015)
Wannan babban wasan kwaikwayo na tarihi yana nuna burin mutane shida da gwagwarmayar da suka yi wajen kafa Daular Joseon, yana da labarin da aka haɗa sosai da kuma girman da ya wuce gona da iri. Bayan ya rabu da al'adun wasan kwaikwayo na tarihi na gargajiya, ya nuna haruffa masu girma uku da kuma aiki mai ban sha'awa, wanda hakan ya ƙara jan hankalin nau'in. Binciken falsafarsa game da rikicin da ke tsakanin yanayin iko da dalili mai adalci ya jawo masa yabo sosai. Ayyukan manyan jaruman da kuma jagorancinsu cikin tsanaki sun ci gaba da jan hankali a duk tsawon shirinsa na kashi 50, wanda hakan ya sanya shi wani babban aikin fasaha da aka yi wanda ya nuna kololuwar wasan kwaikwayo na tarihi mai inganci.
Na 24: Secret Forest (2017)
Wannan wani wasan kwaikwayo ne na bincike na ciki game da mai gabatar da ƙara mara tausayi da kuma wani jami'in bincike mai tausayi wanda ya haɗu don gano gaskiyar cin hanci da rashawa a cikin masu gabatar da ƙara. Ba tare da wani ɓataccen labari mai tayar da hankali ba, rubutun da aka tsara da kyau da kuma jagorar da aka takaita yana ba da cikakkiyar nutsuwa, yana buɗe sabon tushe a cikin nau'in. Abubuwan da suka faru da kuma ɓataccen labari masu rikitarwa suna ba wa masu kallo nishaɗin ilimi yayin da suke isar da saƙo mai mahimmanci game da adalci da cin hanci da rashawa. An yaba da shi a matsayin babban aikin da ya ɗaga matsayin wasannin kwaikwayo na nau'ikan Koriya, wasan kwaikwayon ya sami karɓuwa a bukukuwan bayar da kyaututtuka da yawa.
Matsayi na 23: Mr. Sunshine (2018)
Wannan fim ɗin ya nuna labarin wani yaro wanda ya je Amurka a lokacin Shinmiyangyo (Sabuwar Miyangyo) kuma ya koma Joseon a matsayin sojan Amurka. An kafa shi a kan yanayin daular marigayi Joseon mai cike da rudani, fim ɗin ya nuna sadaukarwa mai daraja na rundunonin adalci marasa suna ta hanyar kyawawan hotuna da salon waƙa. Masu sharhi sun ce fim ɗin ya haɗa gaskiyar tarihi da haruffan almara, yana haifar da kishin ƙasa da soyayya mai ban sha'awa. Daraktocin fim ɗin da kuma ayyukan fasaha suna ɗaukaka ingancin fim ɗin. Ta hanyar haskaka sabon haske kan tarihin da aka manta, yana da tasiri sosai ga masu kallo, yana ƙirƙirar wani babban abin gani wanda ke barin wani abu mai ɗorewa.
Wuri na 22: Wata da ke rungumar Rana (2012)
Wannan wasan kwaikwayo na tarihi na soyayya na tatsuniya wanda ke nuna soyayya mai ban tausayi tsakanin sarkin Daular Joseon da wani mai sihiri ya zama abin mamaki, wanda ya zarce kashi 40% a cikin ƙimar masu kallo. Abubuwan da suka burge shi da kuma yadda yake nuna mummunan makomar haruffan sun burge masu kallo sosai. Ayyukan da manyan jaruman suka yi, yara da manya, sun jawo hankali, kuma wasan kwaikwayo ya fassara kalmomin littafin asali zuwa labari mai kayatarwa. Soyayya mai tsarki da ke bunƙasa a tsakanin sha'awar sarauta ta mamaye masu sauraro a duk tsararraki, ta kafa shi a matsayin misali na musamman na nasarar da nau'in wasan kwaikwayo na tarihi ya samu.
Matsayi na 21: Sky Castle (2018)
Wannan baƙar barkwanci ta baƙaƙe ta bayyana matuƙar sha'awa da munafuncin iyaye da ke neman ilimin 'ya'yansu a cikin wani mawuyacin hali wanda ke ɗauke da manyan 0.1% na attajiran Koriya ta Kudu. Ta hanyar magance matsalar shiga jami'a ta zahiri a cikin yanayi mai ban tsoro, fim ɗin ya haifar da hayaniya da kuma jin daɗin jama'a a kowane shiri. Ayyukan jaruman sun nuna kyawawan halayen jaruman, suna ƙara jan hankalin fim ɗin. Ta hanyar sukar kasuwar ilimi mai zaman kanta da kuma bincika muhimman buƙatun ɗan adam, fim ɗin ya sami babban nasara a cikin harkokin kasuwanci da kuma yabo.
Na 20: Malamina (2018)
Wannan wasan kwaikwayo na ɗan adam ya nuna tafiyar 'yan'uwa uku masu matsakaicin shekaru da wata mace, suna fafutukar jure nauyin rayuwa, yayin da suke samun waraka ta hanyar juna. Ba tare da amfani da labaran da ke tayar da hankali ba, fim ɗin ya ɗauki rayuwar jaruman cikin sauƙi da kuma dangantakarsu mai daɗi, yana ba da ta'aziyya ga masu kallo. Dangane da zurfin ƙauna da fahimtar halayen, fim ɗin ya cimma zurfin labari da kuma wayewar gani. Yana farkar da ainihin ma'anar rayuwa, kuma ko da bayan kammala shi, ya kasance wasan kwaikwayo mai canza rayuwa ga mutane da yawa, yana ba da ta'aziyya ga ɗan adam da kuma motsin rai mai zurfi.
19. Wasan Squid (2021)
Fim ɗin yana ba da labarin mahalarta wani wasan tsira mai ban mamaki tare da tarin kyaututtuka, suna jefa rayukansu cikin haɗari don zama babban mai nasara. Ta hanyar haɗa gasa mara iyaka da kuma nuna wariyar ɗan adam ta al'ummar jari-hujja da abubuwan gani kamar tatsuniyoyi da kuma mummunan labari, ya haifar da yanayi na duniya. Masu sharhi sun ce ya zama abun ciki na farko na K da ya kai matsayi na 1 a Netflix a duk duniya, wanda ya canza al'adar pop ta duniya. Tambayoyinsa masu kaifi game da yanayin ɗan adam da kuma mise-en-scène na musamman sun jawo hankalin masu suka da masu kallo, suna ɗaga matsayin wasan kwaikwayo na Koriya a kasuwar duniya.
Matsayi na 18: Wild Times (2002)
Wannan babban wasan kwaikwayo ya nuna rayuwar Kim Du-han mai cike da rudani, tun daga lokacin mulkin mallaka na Japan har zuwa farkon zamanin Jamhuriyar Koriya. Labarin, wanda ya haɗa ayyukan ban mamaki da bincike na tarihi, an ruwaito cewa ya sami ƙimar masu kallo sama da kashi 50% lokacin da aka watsa shi, wanda ya haifar da yanayi mai ban sha'awa a duk faɗin ƙasar. Jarumin daraktan, wanda ke nuna aminci da burin jaruman da ke rayuwa a cikin wani zamani mai cike da rikici, ya sami goyon baya mai yawa daga masu kallo maza. Babban aikin fasaha ne wanda ke haifar da kewar tsofaffi masu kallo da kuma nishaɗi mai ƙarfi ga matasa masu kallo, wanda ke nuna kololuwar sha'awar wasannin kwaikwayo na tarihi.
17. Lauyan da ba a saba gani ba Woo Young-woo (2022)
Wannan wasan kwaikwayo mai ratsa zuciya yana nuna tafiyar wani lauya mai ƙwarewa a fannin tunani da kuma autism spectrum disorder (ASD) yayin da yake warware shari'o'i da kuma girma. Tafiyar jarumin ta fuskantar wariya da kuma kallon duniya ta hanyar hangen nesansa na musamman ta yi matuƙar burge masu kallo. Bincike ya nuna cewa wasan kwaikwayo ya wayar da kan jama'a game da nakasa kuma ya nuna ƙarfin labarin mai daɗi da daɗi. Bayyana halin da jarumin ya nuna ba tare da wata matsala ba da kuma alkibla mai kyau ya jawo martani mai zafi a kasuwar duniya, inda ya kafa sabon tsari na warkar da wasan kwaikwayo da kuma jan hankalin masu kallo a duk duniya.
Matsayi na 16: Lambun Sirri (2010)
Wannan labarin soyayya ta tatsuniya ya ta'allaka ne akan wata 'yar wasan kwaikwayo wacce ke mafarkin zama daraktan wasan fada da kuma wata jaruma ta ƙarni na uku wacce aka musanya rayukanta. Tattaunawa mai kyau ta marubuciya Kim Eun-sook da kuma daraktan da ya yi ta hanyar zamani ya haifar da wani yanayi na jin daɗi a duk faɗin ƙasar, inda ya kai kololuwar barkwancin soyayya. An yaba wa fim ɗin saboda yadda yake nuna barkwanci amma mai ban tausayi game da tafiyar fahimta tsakanin namiji da mace ta hanyar tunaninsu na canza rai. Ya haifar da maganganu marasa adadi da kuma wurare masu ban sha'awa, yana yin tasiri mai ƙarfi ga al'adun pop, yayin da rashin daidaituwa tsakanin manyan jaruman ya jawo hankalin masu kallo kuma ya haifar da nasarar fim ɗin a ofishin talla.
Matsayi na 15: Goblin (2016)
Wannan wasan kwaikwayo na tatsuniya yana nuna rayuwar wani goblin da ke neman kawo ƙarshen rayuwarsa marar mutuwa, wata yarinya da ya kamata ta mutu, kuma mai jin haushin rashin bacci. Yana bincika jigogin falsafa na rayuwa da mutuwa, ƙaddara, da sake haihuwa ta hanyar kyawawan hotuna da tattaunawa ta waƙoƙi, wanda hakan ke haifar da hayaniyar ban mamaki. Masu sharhi sun ce haɗin kai tsakanin tunanin marubucin da kuma jagorancin daraktan yana nuna ainihin ainihin fasahar fina-finai. Bayan Koriya, ta haɓaka wani fandom na musamman a kasuwar duniya, wanda ya ɗaga matsayin wasan kwaikwayo na tatsuniya na Koriya zuwa matakin duniya, wanda hakan ya sanya ta zama babban abin birgewa.
Na 14: Soyayyata daga Tauraro (2013)
Wannan wasan kwaikwayo ya nuna soyayya mai ban mamaki tsakanin Do Min-joon, wani baƙo wanda ya sauka a Duniya shekaru 400 da suka gabata, da kuma fitaccen jarumi Cheon Song-yi. Haɗa jigon almara na baƙi da yanayin nishaɗi na gaske, yana ba da sabbin lokutan nishaɗi da abubuwan da ke faranta rai. Bayyanar jaruman da ba a taɓa gani ba na halayensu ya jawo hankali a kowane shiri, wanda ya haifar da babban raƙuman Hallyu a faɗin Asiya. Rubutun mai zurfi da daraktan da ke jan hankali sun ɗaga ingancin nau'in, kuma an yaba wa wasan kwaikwayon sosai a matsayin aikin wakilci wanda ya nuna gasa a duniya na almarar soyayya ta K-drama.
Matsayi na 13: Tarihin Ƙasa (1980)
Da shekaru 22 da suka gabata, ta kafa tarihi a tarihin wasan kwaikwayo na karkara mafi dadewa a tarihin wasan kwaikwayo na Koriya, inda ta kama ainihin rayuwar Koriya da gaskiya mai ƙarfi. Bayyanar ta mai sauƙi amma mai daɗi na fara'ar garin da ƙaunar iyali da ke ɓacewa a cikin saurin birane ya sa ta sami yabo daga ƙasa. Masu sharhi sun ce ta farkar da masu kallo ga mahimmancin al'umma da mutuncin ɗan adam ta hanyar farin ciki da baƙin cikin maƙwabta na yau da kullun. Ta kuma yi aiki a matsayin makarantar wasan kwaikwayo, inda ta samar da manyan 'yan wasan kwaikwayo marasa adadi. Ba tare da amfani da labaran da ke tayar da hankali ba, ta kasance babban abin fasaha, tana nuna lokutan kuma tana nuna ra'ayin Koriya.
Na 12: Idon Alfijir (1991)
Wannan babban wasan kwaikwayo ya kasance a kan yanayin lokutan rikici na mulkin mallaka na Japan da Yaƙin Koriya, yana nuna rayuwa mai ban tausayi da ƙaunar maza da mata uku. Ana ɗaukarsa a matsayin wasan kwaikwayo na farko na Koriya da ya nuna wurare a ƙasashen waje da kuma kasafin kuɗi mai yawa na samarwa, wanda ya kawo zamanin wasannin kwaikwayo masu ban mamaki. Bayyanar sa ta gaskiya da ta girgiza mutanen da bala'in tarihi ya rutsa da su ta girgiza masu kallo sosai ta girgiza su kuma ta motsa su. Tsarin da aka tsara da kuma ba da umarni, bisa ga wani labari mai ƙarfi na asali, ya ɗaukaka darajar wasan kwaikwayo ta fasaha, kuma ya kasance abin koyi ga wasannin kwaikwayo na zamani da na zamani.
Matsayi na 11: 'Yan'uwa Shida (1998)
A cikin mawuyacin lokaci na shekarun 1960, wasan kwaikwayon ya nuna tafiya mai wahala amma mai ban sha'awa ta uwa mara aure da ke renon 'ya'ya shida. Masu sharhi sun ce ya sake ƙirƙirar rayuwar talakawa na wannan lokacin ta hanyar da ta dace, yana sa hawaye su zubo wa idanun mutane na kowane tsararraki. Ta hanyar jan hankalinsa na ƙauna ta uwa da juriya mai ƙarfi, ya isar da labari mai ban sha'awa da ban sha'awa. Maimakon dogara ga makircin tayar da hankali, wasan kwaikwayon ya dogara ne akan ƙananan labarai na yau da kullun don cimma babban matsayi na masu kallo, yana sake farfaɗo da tunanin tunawa da baya da mahimmancin iyali, yana samun magoya baya masu ƙarfi a cikin jama'a.
Wuri na 10: Seoul Moon (1994)
Wannan fasaha ta musamman ta nuna sha'awa, takaici, da kuma farin ciki da baƙin cikin matasa da suka ƙaura zuwa Seoul. Fahimtarta mai zurfi ta kama rayuwar jarumai da ke mafarkin hawa sama, waɗanda aka gina a cikin wani ƙauye a bayan kyakkyawan yanayin birni. Ba kamar yadda aka saba gani a cikin almarar jarumtaka ba, tana nuna rayuwar talakawa masu wahala amma masu tsanani, tana samun tausayi ga jama'a. Ayyukan jarumai masu ban mamaki na manyan jarumai sun ƙara wa gaskiyar wasan kwaikwayo girma, suna nuna hanya ga almarar birane da kuma ɗaga ingancin wasan kwaikwayo na Koriya. Wannan fasaha ta kama gaskiyar lokacinta.
9. Hawayen Dodanni (1996)
Wannan wani wasan kwaikwayo ne na tarihi mai matuƙar muhimmanci, wanda ke nuna tarihin Joseon tun daga kafuwarsa har zuwa hawan Sarki Sejong kan karagar mulki, wanda ya mayar da hankali kan Yi Bang-won. Masu sharhi sun ce ya jagoranci sha'awar wasan kwaikwayo na tarihi ta hanyar zurfafa bincike kan gwagwarmayar rashin tausayi don iko da kuma wahalar ɗan adam da ya haifar. Ayyukan da manyan jaruman suka yi da kuma labarin da ya yi ƙarfi, wanda aka tallafa masa da bincike mai zurfi na tarihi, sun nuna cikakkiyar kamala har an kira shi misali na littafin wasan kwaikwayo na tarihi. Tare da jarumtar da ya bayar, ya jawo hankalin masu sauraro a tsawon tsararraki, yana nuna darajar babban nau'in wasan kwaikwayo na tarihi da kuma nuna kololuwar tarihin wasan kwaikwayo na tarihi.
Matsayi na 8: Dae Jang Geum (2003)
Wannan wasan kwaikwayo da aka yi fice a ƙasa baki ɗaya ya ba da labarin tafiyar Jang Geum, wanda aka haifa a cikin mafi ƙarancin matsayi, zuwa ga nasara a matsayin mai dafa abinci a kotu da kuma likitan kotu. Haɗin abincin gargajiya na Koriya da dabarun likitanci, tare da labarin jarumin labarin shawo kan matsaloli, ya burge masu kallo a duk faɗin duniya. An fitar da shi zuwa ƙasashe sama da 90, wasan kwaikwayo ya shahara sosai saboda gudummawarsa ta al'adu mai mahimmanci, yana faɗaɗa isa ga Koriya. Tsarinsa mai ƙarfi da jagoranci ya haɓaka ingancin wasan kwaikwayo na tarihi, kuma a matsayin abun ciki na duniya wanda ke nuna asalin Koriya, ya kasance abin koyi mai nasara kuma tatsuniya a cikin nau'in wasan kwaikwayo na K, yana jin daɗin shahararru mara iyaka.
Na 7: Yi haƙuri, Ina Son Ka (2004)
Wannan waƙar waƙoƙi mai ban dariya tana nuna mummunan ɗaukar fansa da kuma ƙaunar da aka yi wa wani mutum wanda aka ɗauke shi aka kuma yi watsi da shi. Ya haifar da ciwon "So Ji-sub syndrome" kuma ya haifar da magoya baya marasa adadi. Masu sharhi sun ce fim ɗin, tare da abubuwan da ke nuna sha'awa da kuma motsin rai mai ban sha'awa, ya bar babban alama a zukatan masu kallo. Labarin marubuci Lee Kyung-hee wanda aka saba da shi amma mai tsabta ya nuna mafi girman nau'in waƙar melodrama, kuma tare da wurare da layuka marasa iyaka waɗanda ba za a iya mantawa da su ba, ya kasance babban aikin fasaha mai ɗorewa, wanda ya zama littafi mai tsarki na melodrama.
Matsayi na 6: Heo Jun (1999)
Wannan wasan kwaikwayo na tarihi wanda ke nuna rayuwar likitan Daular Joseon mai cike da rudani, Heo Jun, ya sami babban matsayi na masu kallo sama da kashi 60%, wanda ya zama nasara a duk faɗin ƙasar. Jajircewar halin da kuma ɗan adam, yayin da ya shawo kan iyakokin matsayinsa na zamantakewa kuma ya zama likita na gaske, ya sa ya sami goyon baya da yabo daga ƙasa. Ta hanyar haɗa ƙwarewar likitanci da labarin da ya shahara, wasan kwaikwayo a lokaci guda yana nishadantar da kuma ilmantar da mutane. Ayyukan manyan jaruman da suka yi da kuma rubutun da ya dace sun kawo zamanin zinare na wasan kwaikwayo na tarihi, kuma ruhin shawo kan wahala mara misaltuwa ya zama babban abin birgewa wanda ya kwantar da hankalin zamani.
Matsayi na 5: Taejo Wang Geon (2000)
Wannan babban wasan kwaikwayo na tarihi ya mayar da hankali ne kan rayuwar Wang Geon, wanda ya kafa Daular Goryeo, da kuma tafiyarsa ta haɗa Masarautun Koriya Uku. Wasan kwaikwayon wanda ya ƙunshi shirye-shirye 200, ya yi zurfin bincike kan yaƙe-yaƙen jarumai na hazaka da gwagwarmayar ɗan adam da suke fuskanta, wanda ya jawo masa yabo sosai. Masu sharhi sun ce kwarjinin jaruman abokan hamayya ya ƙara tashin hankali mai ban mamaki zuwa wani babban matsayi. Bincike mai zurfi da kuma wuraren yaƙi masu ban sha'awa ya ɗaga matsayin wasan kwaikwayo na tarihi, kuma labarin aminci da cin amana, wanda aka haifa daga mummunan tarihi, yana ba da zurfin tunani na tarihi da motsin rai mai ban mamaki.
Matsayi na 4: Signal (2016)
Wannan wasan kwaikwayo na bincike yana bin diddigin masu bincike yayin da suke warware shari'o'in sanyi ta amfani da sigina daga baya. Labarinsa da aka tsara da kyau, wanda ya haɗa yanayin almara na hanyar sadarwa ta sararin samaniya da ke da alaƙa da walkie-talkies, ya sa ya sami yabo sosai don kafa sabon tushe a cikin nau'in. Ta hanyar amfani da abubuwan da suka faru na gaske, yana tayar da tambayoyi masu mahimmanci game da adalci na shari'a da alhakin ikon jama'a. Labarin da aka tsara da sauri yana ƙara nutsewa, kuma yana nuna motsin zuciyarsa na neman gaskiya mai ɗorewa ya sa ya zama misali na littafi mai kyau na wasan kwaikwayo da aka yi da kyau kuma lokaci mai mahimmanci a tarihin wasan kwaikwayo na nau'ikan.
Matsayi na 3: Mai ban sha'awa (2019)
Wannan wasan kwaikwayo na ɗan adam ya nuna labarin wata mace da ta rasa lokacinta da kuma wani mutum da ya jefar da lokutansa masu ban mamaki kuma ya rayu cikin rashin gajiya. Abin mamaki a rabin na ƙarshe ya wuce tatsuniya kawai, yana tayar da tambayoyi masu zurfi game da rayuwa, tsufa, da tunawa. Babban aikin da ya yi ya jawo hawaye da motsin rai a tsawon tsararraki. Rubutun da daraktan ya yi mai laushi, wanda ke tunatar da mu muhimmancin rayuwar yau da kullun, ya jawo yabo ga masu suka a matsayin "wasan kwaikwayo na rayuwa." Ya nuna kololuwar zurfin labari da kamalar fasaha da wasan kwaikwayo na Koriya za su iya cimmawa, yana barin wani ra'ayi mai ɗorewa.
Na biyu: Tauraro a Zuciyata (1997)
Wannan wasan kwaikwayo, wanda ke nuna nasarar mai zane da kuma ƙaunarta mai ban mamaki tare da tauraro mai girma, ya haifar da zamanin zinare na wasan kwaikwayo na zamani a shekarun 1990. Ana yaba shi da ya haifar da abin da ya faru na Ahn Jae-wook da kuma shimfida harsashin fitar da wasan kwaikwayo na Koriya da kuma Koriya. Labarin Cinderella na gargajiya, tare da kiɗa mai kyau da hotuna masu ban sha'awa, ya ƙara shahararsa. Wurin ƙarshe, wanda aka gabatar da shi a matsayin shirin kade-kade, ya kasance ɗaya daga cikin wuraren da ba za a manta da su ba a tarihin wasan kwaikwayo. Kyakkyawan zane-zanensa na mafarkin matasa da ƙauna ya sa ya sami goyon baya sosai a duk faɗin Asiya, wanda hakan ya sa ya zama abin tarihi da ban mamaki.
1. Awa ta Agogo (1995)
Wannan wasan kwaikwayo ya kasance a kan tarihin Koriya ta zamani mai cike da rudani, wanda ya nuna irin wahalar da wani zamani ya fuskanta ta hanyar maƙasudin abokai uku da suka haɗu. Cikakken bayanin da ya yi wa ƙungiyar dimokuradiyya ta Gwangju ta 18 ga Mayu ya haifar da babban tashin hankali na zamantakewa kuma ya sami maki mai ban mamaki na masu kallo, wanda hakan ya sa aka yi masa lakabi da "Dawowar Agogon Gida." An yaba wa marubucin Song Ji-na da kuma jagorancinsa mai kyau na darakta Kim Jong-hak saboda ya wuce wasan kwaikwayo kawai da kuma nuna hangen nesa mai kyau na fasaha. Tare da zurfin fahimtarsa game da rashin tausayin iko da darajar abota, ya zama abin tarihi kuma wani abin tarihi wanda ya canza yanayin wasan kwaikwayo na Koriya.
Mun bincika manyan ayyuka 100 da suka shahara a tarihin wasan kwaikwayo na Koriya. Waɗannan zaɓaɓɓun ayyukan ba wai kawai sun kai matsayin masu kallo mai yawa ba; suna da alaƙa iri ɗaya: suna nuna yanayin zamantakewa na zamaninsu kuma suna da alaƙa da masu kallo sosai. Tun daga zamanin zinare na wasan kwaikwayo na tarihi da wasan kwaikwayo na zamani a shekarun 1990, zuwa haɓakar Koriya a shekarun 2000, zuwa fina-finan K-type waɗanda yanzu suka mamaye kasuwar OTT ta duniya, wasan kwaikwayo na Koriya suna ci gaba da bunƙasa.
Ayyukan ban mamaki ba sa ɓacewa da lokaci. Ko da yake lokaci yana canzawa kuma dandamali suna canzawa, ƙimar waɗannan ayyukan, waɗanda ke rera motsin zuciyar ɗan adam na duniya da lokutan da suka bayyana a zamaninmu, za su kasance tare da mu har tsawon tsararraki masu zuwa. Muna fatan wannan fasalin na musamman zai ba wa masu karatu damar tunawa da ayyukan da suka daraja rayuwarsu, kuma ga masu ƙirƙira, zai zama tushen wahayi don yin mafarkin sabbin ayyukan ban mamaki na gaba.
